T-Bone Walker
Musical Influence
B.B. King wrote in his 1996 autobiography that hearing Walker was the reason he picked up an electric guitar in the first place. Chuck Berry named Walker, alongside Louis Jordan, as his main influence. Jimi Hendrix directly imitated Walker's trick of playing guitar with his teeth, and Steve Miller has said Walker personally taught him both that trick and the behind-the-back technique in 1952. Lonnie Mack called him his principal blues guitar influence, and the Allman Brothers Band made "Stormy Monday" a staple of their live sets for decades. Rolling Stone ranked him No. 67 on its 2018 list of the 100 greatest guitarists of all time (Kilde: Wikipedia).
Influences
Family and personal life
Member of the Dallas String Band; taught young Walker guitar, ukulele, banjo, violin, mandolin and piano.
Formative experiences
- •Left school at age 10 and was a professional performer by 15. (Kilde: Wikipedia)
- •As a boy, guided family friend Blind Lemon Jefferson around Dallas's Deep Ellum for his gigs. (Kilde: Wikipedia)
- •1929: First record, "Wichita Falls Blues," released on Columbia as "Oak Cliff T-Bone." (Kilde: Wikipedia)
- •c. 1940: Became the first blues artist to make the electric guitar a true solo/lead instrument. (Kilde: Wikipedia)
- •1947: Recorded "Call It Stormy Monday," his defining record, for Black & White Records. (Kilde: Wikipedia)
Instruments & Equipment
Guitar
One of the very first blues musicians to adopt the electric guitar as a lead/solo instrument rather than rhythm accompaniment.
Stories & Anecdotes
"Performed showmanship tricks like playing the guitar with his teeth and behind his back — decades before Jimi Hendrix borrowed the same moves. (Kilde: Wikipedia)"
"Blind Lemon Jefferson was a family friend who sometimes came over for dinner; the young Walker guided him around Deep Ellum for gigs before either had recorded a note. (Kilde: Wikipedia)"
"B.B. King recalled in his autobiography thinking "Jesus himself had returned to earth playing electric guitar" the first time he heard Walker. (Kilde: Wikipedia)"
Collaborators
Family friend who Walker guided around Deep Ellum, Dallas, as a boy.
Bandleader whose orchestra Walker fronted in the early 1940s.
Producer for his Imperial Records sessions, 1950–1954.
Shared a 1962 American Folk Blues Festival bill with Walker and Memphis Slim.
Watch & Listen
T-Bone Walker - Call It Stormy Monday {1947}
His defining record, produced by Ralph Bass for Black & White Records — one of the most-covered songs in American music.
Worried Tunes 2
Watch & Listen
Discography
| Year | Title | Producer | Studio | Label | Chart | Sales | Musicians | YouTube | Notes |
|---|---|---|---|---|---|---|---|---|---|
| 1929 | Columbia debut, Dallas | Columbia Records | — | Columbia | — | — | Douglas Fernell (Piano) | "Wichita Falls Blues" b/w "Trinity River Blues," billed as Oak Cliff T-Bone — acoustic, pre-electric. | |
| 1940 | Varsity sessions with Les Hite's Orchestra | Varsity Records | — | Varsity | — | — | — | Featured as singer/guitarist with Les Hite's big band. | |
| 1942 | Rhumboogie Records era, Chicago | Marl Young | — | Rhumboogie | — | — | Marl Young (Bandleader, arrangement) | 1942–1945, backed by Marl Young's orchestra. | |
| 1946 | Black & White Records era, Los Angeles | Ralph Bass | — | Black & White | — | — | Teddy Buckner (Trumpet), Bumps Myers (Saxophone), Lloyd Glenn (Piano), Billy Hadnott (Bass), Jack McVea (Tenor saxophone) | 1946–1948 — includes "Call It Stormy Monday" (1947) and "T-Bone Shuffle" (Nov 1947), plus R&B hits "Bobby Sox Blues" and "West Side Baby." | |
| 1950 | Imperial Records era, Los Angeles | Dave Bartholomew | — | Imperial | — | — | Dave Bartholomew (Bandleader, trumpet) | 1950–1954. | |
| 1955 | T-Bone Blues (recorded, released 1959) | Atlantic Records | — | Atlantic | — | — | — | Sessions recorded 1955–1957, released as the album "T-Bone Blues" in 1959. | |
| 1962 | American Folk Blues Festival tour, Europe | — | — | Various | — | — | Memphis Slim (Piano), Willie Dixon (Bass) | European tour dates, including a bill shared with Memphis Slim and Willie Dixon. | |
| 1970 | Good Feelin' | — | — | Polydor | — | — | — | Won the Grammy Award for Best Ethnic or Traditional Folk Recording. |


