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Buddy Guy — Ain't Done With The Blues

Silvertone / RCA Records (offisielt albumcover)

2025 · Silvertone / RCA Records

Buddy Guy – Ain't Done With The Blues (2025): A master at 89, still with fire in his fingers

Buddy GuyAin't Done With The Blues
Chicago Blues / Electric Blues
8.8
/ 10

He could have leaned back long ago. Instead Buddy Guy delivers a record that smells of smoke, sweat and lived life – and reminds us why Chicago blues never grew old.

There is something almost defiant about Buddy Guy releasing a new record now. The man is 89, has won just about everything there is to win, and has long since written himself into history as one of the last great figures of classic Chicago blues. He owes the world nothing. And yet here I am with Ain't Done With The Blues in my headphones, and the only possible title is the one he chose himself: he is not done with the blues. The blues is not done with him.

The album opens short and firm with «Hooker Thing» – a minute and eight seconds of dry, growling guitar so we know who has invited us in. It is an old trick from blues dramaturgy: make the listener wait, let the first real song be the one that truly sets the scene. When «Been There Done That» takes over it is like sitting down in a smoky South Side club. The voice is a touch more weathered than ten years ago, and that is exactly what makes it work. It does not lie.

Tom Hambridge is back at the producer's desk and you can hear it. The band is tight without ever being stiff. The drums breathe, the bass sits low and trustworthy, and the horns turn up exactly where they should – never as decoration, always as answer. It is the kind of production that does not beg for attention but makes you believe everything you hear.

The guest list could easily have become a burden. Joe Walsh, Joe Bonamassa, Christone «Kingfish» Ingram, Peter Frampton, The Blind Boys of Alabama – on paper a roster that could have smothered any older man. Buddy Guy does the opposite: he lets them in, gives them room, and still plays as if he were alone on the stage. When Kingfish shows up on «Where U At», there is no contest between the generations. It is a conversation. The young man asks, the old man answers, and in the small pauses between them you hear the whole Chicago tradition moving on.

«How Blues Is That» with Joe Walsh is one of the most immediate moments on the record. Walsh does not enter to show off – he enters to lift Buddy. That is nice to hear. «Dry Stick» with Bonamassa is another story – here are two guitarists really talking to each other, and you can feel how much respect Bonamassa carries for the man beside him. When Peter Frampton arrives on «It Keeps Me Young», the song takes on an almost tender lean, and the title is no accident: this is a record that keeps reminding us that the music keeps the man alive, not the other way around.

Midway through the record makes a spiritual turn. «Jesus Loves The Sinner» with The Blind Boys of Alabama is one of those tracks you have to sit still for. It is not gospel as a borrowed effect – it is a man who has seen more than most letting the old voices carry him for a while. It is the finest moment on the album.

Further on come the grooving «Trick Bag», the slow-burning «Swamp Poker» and a closing «Talk To Your Daughter» that drags us all the way back to where it began for Buddy – J.B. Lenoir and electric Chicago at its most direct. It is as if with these last three tracks he says: I have walked far, but I know where I come from.

If I am to be critical, eighteen tracks is a lot. The record would have benefited from being tightened to fifteen. A couple of the instrumental passages in the middle feel like waystations rather than destinations. But again – this is an 89-year-old man playing the blues. He has earned the right to take the time he needs.

What stays with you after many spins is not the memory of virtuoso solos. It is the memory of presence. Buddy Guy is no longer out to impress. He is out to tell. Every note he draws from the Stratocaster carries a whole life. Every time he opens his mouth you hear a piece of American history. That is rare in 2025.

Ain't Done With The Blues will not replace the very greatest records in his catalogue. It does not need to. It stands as a quiet, strong reminder that the truly old blues masters still have something to say, as long as they have the strength to say it. And Buddy Guy has the strength.

Rating: 8.8/10 ⭐⭐⭐⭐⭐⭐⭐⭐⭐

Listen

Scorecard

Vocals9.0
Instrumentation9.0
Production9.0
Songwriting8.5
Atmosphere9.0
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Published 24 May 2026· SlowBlues Editorial